Sasha Cooke walked into my studio at Juilliard twelve years ago, bringing songs from Fauré’s La chanson d’Eve. My life instantly took a turn for the better. From the beginning Sasha had That Sound—I describe her voice as the love child of Janet Baker and Lorraine Hunt...
written by
Steven Blier
Lee Hoiby: What If
William Sharp has been my most enduring song partner. We met at Aspen in 1978, where he was a fellowship student and I was…whatever I was. An apprentice coach or something. The first thing I remember working on with Bill was the Act I duet from Don Pasquale, what’s...
Puccini: Chi il bel sogno di Doretta
It is amazing what you can find on the internet. Trawling YouTube for this week’s videos, I nonchalantly typed “Blier Fleming” into its search engine. There were a few clips I already knew about, but also something I had not seen before: a performance of the Rondine...
Eduardo Toldrà: Maig
This week I’d like to focus on some of the singers I’ve accompanied over the years. A collaborative pianist—the word “accompanist” is out of vogue these days, thank God (I don’t play the “accompano”)—can only realize his/her musical vision in tandem with like-minded...
Jule Styne: I’m Naive
One of the anomalies of my life as an artistic director is that I have to think about Christmas in June. Our annual Goyishe Christmas program at Henry’s is set for December 12, and it would be smart to get a cast assembled sooner than later. It’s been a little easier...
Sir Granville Bantock: Song to the Seals
I am in a dilemma. I am doing a program about the British Isles at Juilliard on January 11. Later on in the year, I am doing a concert called Four Islands at Caramoor and Merkin Hall on March 12 and 14. The four islands in question are Madagascar, Cuba, Manhattan—and...







