NYFOS@North Fork: Day 4

Thursday is the last day I can really work on the songs and push the cast to take risks. On Friday our water breaks as we do our first work-through. Reassurance is the name of the game. On Saturday, contractions start as we have our dress rehearsal. We retreat to our...

NYFOS@North Fork: Day 3

Unlike some coaches I’ve observed, I don’t tend to start my work by manipulating the surface of the music. Sure, I can be a maniac on the first day about language, because those kinds of errors do need to be nipped in the bud. They take days to repair. But I try not...

NYFOS@North Fork: Day 2

I slept like a baby last night. And Orient is a great place for sleep—at least it always has been for me. So when I asked Mikaela how she’d slept, I expected a cheery, enthusiastic “Great!” Instead, she said, “Oh, I slept really badly! I got some bug bites, and…I...

NYFOS@North Fork: Day 1

The first day of a project is always fraught with excitement and fear and questions—how prepared will everyone be? Is this program any good? Will all my practicing hang in there in the heat of the moment, or am I going to be a total klutz? But this year’s NYFOS@North...
William Bolcom:  Paula’s Aria

William Bolcom: Paula’s Aria

It’s been a very busy winter at NYFOS. Tchaikovsky, Paul Bowles (A Picnic Cantata), Gabe Kahane, Bill Bolcom, and the Juilliard Protest program. Steve Blier jetted off to UCLA to work with the students and Peter Kazaris. Opera America asked us to help with their...