by Steven Blier | Mar 22, 2019 | Blier's Blog
A quick post-concert report as I bid farewell to this beautiful week. Overview: both shows went extremely well for the cast, who delivered the goods. The Sunday run took place in a black box theater that needed to be borrowed for the occasion due to renovations at...
by Steven Blier | Mar 17, 2019 | Blier's Blog
I’m rarely cheerful the day before a show. I wish I had a bit of Yannick Nézet-Séguin’s infectious, nitrous oxide enthusiasm to lift everyone’s morale—especially mine. But I always feel as if I am being led in front of a firing squad, and I seem to give birth to...
by Steven Blier | Mar 16, 2019 | Program Notes
This program takes its inspiration from an opera — Mozart’s Cosí fan tutte — and a movie, Max Ophuls’ La ronde, which was based on the hugely controversial play by Arthur Schnitzler, Reigen. Both works are about the disruptive interplay of love and lust, fidelity and...
by Steven Blier | Mar 16, 2019 | Blier's Blog
My goals today were simple and clear: to get the second half of the show staged, and to see if I could persuade my hands to stop behaving like bouncers at a second-rate strip club. I took a little time by myself at the piano in the morning to deal with item number 2....
by Steven Blier | Mar 15, 2019 | Blier's Blog
Today we went into uncharted territory when our director, Stephen Barker Turner, reported for work. I hired him sight unseen on the recommendation of two other directors I’d invited. They had to back out of the gig because of some late-breaking auditions and film...
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