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Meredith Monk:  Hocket

Meredith Monk: Hocket

Meredith Monk is amazing, and the amount of concentration and virtuosity it must take for two singers to maintain the delicate balancing act of this piece seems super-human. High-wire act though it is, I find this song endlessly playful and fascinating.

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Adam Guettel:  Daybreak

Adam Guettel: Daybreak

The recent successful rescue of the soccer team from a cave in Thailand brought to mind the unsuccessful rescue attempt of Floyd Collins from a cave in the hills of Kentucky, and the gorgeous harmonies contained within Adam Guettel’s musical about him, his family, and the media circus that surrounded them. In this song, Floyd is trapped in Sand Cave, his foot painfully lodged in place by a stone. He is visited by his brother, Homer, who keeps vigil with him through the night.

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Cole Porter:  Too Darn Hot

Cole Porter: Too Darn Hot

Thinking back on my years living in New York City, I remember how sweltering the summers could be. I’ll try to send NYFOS and NYC a Mediterranean breeze from my home in Barcelona, but in the meantime, here is Ms. Fitzgerald once again, telling us that it’s “Too Darn Hot.”

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Gershwin:  Summertime

Gershwin: Summertime

I’m honored to be invited to contribute to NYFOS’s Song of the Day for a second time. As summer gets into full swing, this week I wanted to feature a few songs that celebrate the season. Here to start us off are the incomparable Louis and Ella with “Summertime.”

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Reynaldo Hahn:  L’heure Exquise

Reynaldo Hahn: L’heure Exquise

I’m hoping to enjoy my summer this year. We are just getting into it, and I’m already having lots of fun. I think it’s the long evenings that can make summer so special. Langorous dinners with friends al fresco. Extended dusk, and lingering twilight eventually yielding to the night sky.

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Danny Boy, sung by John Brancy

Danny Boy, sung by John Brancy

Steve Blier introduced me to the 19 yr. old John Brancy ( a Juilliard underclassman) about a decade ago. Since then, we’ve helped, and watched “Brancy” (he’s become a one-name star) go from success to success. Most recently, he won a number of prizes in the biggest competition I know of—in Montreal, including the 1st place art song award. I’m amazed, with all the focus on opera, that such a thing even exists.

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Dave Frishberg: I Want To Be A Sideman

Dave Frishberg: I Want To Be A Sideman

Dave Frishberg. Urbane, pianist extraordinaire, a real lyricist, and a musician who gets us other musical cats. Here is “I Want To Be A Sideman”. At NYFOS, we bring in sidemen all the time. Clarinetists, guitarists, percussionists, whatever the music calls for. And playing the piano for singers—well, sometimes you ARE the sideman.

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Leonard Bernstein:  What’s the Use?

Leonard Bernstein: What’s the Use?

Oh It’s Summer! And time for all of our many summer music festivals! I’m in Santa Fe where they are offering up Candide, Madama Butterfly, Ariadne auf Naxos, and Dr. Atomic, among other goodies. Their production of Candide is closer to Voltaire than the Americanized jokey versions I’ve seen in our country lately.

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Monteverdi: Lamento della ninfa

Monteverdi: Lamento della ninfa

What fun it’s been to host this week and ponder my favorite songs and performances! For my last day, I thought I’d look back to one of my earliest singer memories, one of the first pieces to leave a huge impression on me as a singer, and the first piece that got me hooked on early music. My big solo senior year of high school was Monteverdi’s Lamento della ninfa. There’s so much to love about this piece.

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