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Danny Boy, sung by John Brancy

Danny Boy, sung by John Brancy

Steve Blier introduced me to the 19 yr. old John Brancy ( a Juilliard underclassman) about a decade ago. Since then, we’ve helped, and watched “Brancy” (he’s become a one-name star) go from success to success. Most recently, he won a number of prizes in the biggest competition I know of—in Montreal, including the 1st place art song award. I’m amazed, with all the focus on opera, that such a thing even exists.

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Dave Frishberg: I Want To Be A Sideman

Dave Frishberg: I Want To Be A Sideman

Dave Frishberg. Urbane, pianist extraordinaire, a real lyricist, and a musician who gets us other musical cats. Here is “I Want To Be A Sideman”. At NYFOS, we bring in sidemen all the time. Clarinetists, guitarists, percussionists, whatever the music calls for. And playing the piano for singers—well, sometimes you ARE the sideman.

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Leonard Bernstein:  What’s the Use?

Leonard Bernstein: What’s the Use?

Oh It’s Summer! And time for all of our many summer music festivals! I’m in Santa Fe where they are offering up Candide, Madama Butterfly, Ariadne auf Naxos, and Dr. Atomic, among other goodies. Their production of Candide is closer to Voltaire than the Americanized jokey versions I’ve seen in our country lately.

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Monteverdi: Lamento della ninfa

Monteverdi: Lamento della ninfa

What fun it’s been to host this week and ponder my favorite songs and performances! For my last day, I thought I’d look back to one of my earliest singer memories, one of the first pieces to leave a huge impression on me as a singer, and the first piece that got me hooked on early music. My big solo senior year of high school was Monteverdi’s Lamento della ninfa. There’s so much to love about this piece.

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John Harbison:  Mirabai Songs

John Harbison: Mirabai Songs

What do you know, I’m finally featuring a non-mezzo! As I mentioned in yesterday’s blog, pianist Alden Gatt and I decided to pair John Harbison’s Mirabai Songs with Schumann’s Frauenliebe und leben for our recent Carnegie Hall Neighborhood Concert. We liked the idea of providing a contrast with the very traditional woman’s role depicted in the Schumann, and we also wanted to feature the words of a woman poet herself (not just the words of a fictional female character).

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Robert Schumann: Süsser Freund

Robert Schumann: Süsser Freund

I have to feature the work that loomed largest for me this year, Robert Schumann’s iconic Frauenliebe und leben. I finally learned it all and performed it after years of wanting to do so but never finding the time or the right venue to make myself just do it. The right time turned out to be my April recital for Carnegie Hall’s Neighborhood Concerts series which I performed with Alden Gatt, a wonderful pianist and friend of mine.

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Joseph Canteloube: Baïlèro

Joseph Canteloube: Baïlèro

I love that music can have the power to transport you to a place and put you right inside of a memory. There are certain pieces of music that I experienced in such a powerful way the first time I heard them that they bring back an incredibly strong emotional and visceral memory whenever I hear them again. “Baïlèro” from Chants d’Auvergne is one of those pieces.

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Gilbert & Sullivan:  The Sun Whose Rays

Gilbert & Sullivan: The Sun Whose Rays

As Song of the Day turns 3 this week, we look back at our first week of songs (beginning June 15, 2015) from NYFOS’s artistic director Steven Blier. Here is Valerie Masterson performing Yum-Yum’s Act II song from The Mikado. It’s a rare bit of footage, not the 1966 movie but an even better 1973 rendition for television.

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