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Heitor Villa-Lobos: Bachianas Brasileiras No. 5

Heitor Villa-Lobos: Bachianas Brasileiras No. 5

Yes, I’m well aware that no sound can be heard in the vacuum of space. Still, I am rather taken by the theory of Pythagoras known as the Harmony of the Spheres, in which he postulated that the sun, moon, and planets all emit their own unique hum based on their orbital revolution. If I could indeed hear the music of those spheres as they move through the heavens, for me it would be the celestial hum at the end of the first section of the Bachianas Brasileiras No. 5 by Heitor Villa-Lobos

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Alexander Borodin/Robert Wright and George Forrest: Night of My Nights

Alexander Borodin/Robert Wright and George Forrest: Night of My Nights

My love of Broadway musicals, also thanks to a family outing, began at a 1965 revival of “Kismet” at Lincoln Center. This winner of several 1954 Tony® Awards, including Outstanding Musical, enchanted me with its exotic recreation of old Baghdad (1071 CE) enlivened by the glorious music of Alexander Borodin (1833-1887) adapted by Robert Wright and George Forrest at the suggestion of Vernon Duke.

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Wolfgang Amadeus Mozart:  Der Hölle Rache

Wolfgang Amadeus Mozart: Der Hölle Rache

Blame it all on my mom, my love of opera and vocal music. And on Rita Streich. For a birthday celebration in my youth Mom persuaded Dad to drive our family into NYC from Long Island to a performance of Mozart’s Die Zauberflöte [The Magic Flute] by the Salzburg Marionette Theater. To my youthful eyes and ears, those two-foot high marionettes came to life, transporting me to a magic world of glorious music and remarkable singing as they acted to the 1953 DG recording led by Ferenc Fricsay with a cast that included a youthful Dietrich Fischer-Dieskau as Papageno.

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Peter Warlock:  Sleep

Peter Warlock: Sleep

This song trips so many of my triggers, with a vocal line that sounds like it could have been written by John Dowland, and an accompaniment that has some of the delicate twists, turns, and bizarre musical punctuation of Poulenc.

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Meredith Monk:  Hocket

Meredith Monk: Hocket

Meredith Monk is amazing, and the amount of concentration and virtuosity it must take for two singers to maintain the delicate balancing act of this piece seems super-human. High-wire act though it is, I find this song endlessly playful and fascinating.

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Adam Guettel:  Daybreak

Adam Guettel: Daybreak

The recent successful rescue of the soccer team from a cave in Thailand brought to mind the unsuccessful rescue attempt of Floyd Collins from a cave in the hills of Kentucky, and the gorgeous harmonies contained within Adam Guettel’s musical about him, his family, and the media circus that surrounded them. In this song, Floyd is trapped in Sand Cave, his foot painfully lodged in place by a stone. He is visited by his brother, Homer, who keeps vigil with him through the night.

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Cole Porter:  Too Darn Hot

Cole Porter: Too Darn Hot

Thinking back on my years living in New York City, I remember how sweltering the summers could be. I’ll try to send NYFOS and NYC a Mediterranean breeze from my home in Barcelona, but in the meantime, here is Ms. Fitzgerald once again, telling us that it’s “Too Darn Hot.”

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Gershwin:  Summertime

Gershwin: Summertime

I’m honored to be invited to contribute to NYFOS’s Song of the Day for a second time. As summer gets into full swing, this week I wanted to feature a few songs that celebrate the season. Here to start us off are the incomparable Louis and Ella with “Summertime.”

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Reynaldo Hahn:  L’heure Exquise

Reynaldo Hahn: L’heure Exquise

I’m hoping to enjoy my summer this year. We are just getting into it, and I’m already having lots of fun. I think it’s the long evenings that can make summer so special. Langorous dinners with friends al fresco. Extended dusk, and lingering twilight eventually yielding to the night sky.

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