I heard Gino Paoli’s “Senza Fine” for the first time in a TV series in Brazil. It was sung by Italian singer Ornella Vanoni in a very sexy arrangement that I loved back then, but soon started sounding quite dated. Years later, a Brazilian singer named Zizi Possi recorded a beautiful and more timeless version of the tune, mixing in a bossa nova accompaniment, while still masterfully retaining the authenticity of the song.
Gino Paoli: Senza Fine
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A bold composer, a brilliant pianist, and an inventive vocalist all rolled into one, Clarice Assad floats freely across musical idioms, drawing on an array of sounds from Amazon forest wildlife to operatic arias. A classically-trained pianist, Assad is deeply rooted in the earthy, folkloric rhythms of Brazil, capturing the attention of international audiences with her stunning talent. The term “world music” is redundant when applied to her style, a reflection of Brazil’s musical melting pot heritage of African rhythms mixed with European melodies and harmonies.
Assad’s songs will be featured in Hyphenated-Americans on February 20 at Merkin Hall in NYC.