by Steven Blier | Jan 14, 2019 | Program Notes
Choosing a program for NYFOS’s annual residency at Juilliard is usually one of the year’s sweetest dilemmas. No dilemma this time, though. I knew more than a year ago that I would want to revive Kurt Weill’s Berlin as the 2019 project. My singers have strong feelings...
by Elliott Hurwitt | Nov 11, 2018 | Program Notes
In 1912, when Handy published the “Memphis Blues,” the word blues was used primarily to describe an emotional state—depression, melancholy. Songs specifically about these issues did not come into being until something like 400 years after the first mentions of the...
by Steven Blier | Nov 11, 2018 | Program Notes
For many years, Michael Barrett and I discussed doing a program devoted to the blues, that quintessential American genre. But we were never sure how to tackle such a broad topic. Then our friend, the musicologist and early blues scholar Elliott Hurwitt proposed that...
by Steven Blier | Apr 23, 2018 | Program Notes
Preparing and performing NYFOS concerts is an all-consuming endeavor. Michael Barrett, my co-leader, can attest to this. So can Charles McKay and Claire Molloy, who have masterminded the administration for some years now with tireless grace. We are in a daily (and...
by Steven Blier | Mar 10, 2018 | Program Notes
Today’s program combines a narrow focus on a single culture — the British Isles — with the wide-angle lens on four centuries of song, thereby ranging across practically the entire span of Western classical music. The purity of the Renaissance gradually gives way to...
by Steven Blier | Feb 24, 2018 | Program Notes
It was just three days after the last election, and I was booked for lunch with my colleague Mary Birnbaum. Our one agenda item was the NYFOS@Juilliard concert in the early spring. Mary showed up looking as if she’d come from a funeral. I’d never seen her in such a...
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