NYFOS@Caramoor 2024: Day 4

NYFOS@Caramoor 2024: Day 4

It has been wonderful to work as a group and to let all the singers—and Amber, our pianist—watch each other’s coachings. Bénédicte and I hope that they enjoy being privy to their colleagues’ progress, and that they relish having a front-row seat at the Steve and Béné...
NYFOS@Caramoor 2024: Day 3

NYFOS@Caramoor 2024: Day 3

Wednesday has a special significance in a week-long residency. On Monday you do reconnaissance. On Tuesday you start to figure out where the doors and windows are, which latches are open, and what’s movable. On Wednesday, having a sense of how far each artist can...
NYFOS@Caramoor 2024: Day 2

NYFOS@Caramoor 2024: Day 2

I am not quite sure how it happened, but the day started with a conversation between me, Bénédicte, and the cast. It began with them debriefing us excitedly about their previous night out at a restaurant with a patron, and then veered off into a variety of unexpected...
NYFOS@Caramoor 2024: Day 1

NYFOS@Caramoor 2024: Day 1

I rolled into the Music Room at Caramoor, after spending an hour riding up to Katonah with my confidante and co-director Bénédicte Jourdois, and I thought of that silly kid’s song, “If you’re happy and you know it, clap your hands [clap clap].” I know that it’s light...
NYFOS@Juilliard Rorem Project: Post 3

NYFOS@Juilliard Rorem Project: Post 3

We’ve had a bit of drama over the past few days. Trevor Haumschilt, the baritone in the cast, had been belting out his songs like a champ, seemingly tireless day after day. He’s a very tall guy, with a football player’s build, and he looks indestructible. Imagine my...
NYFOS@Juilliard Rorem Project: Post 2

NYFOS@Juilliard Rorem Project: Post 2

I am always looking for the element that will lift a song from the memorized-and-well-executed to the owned-and-embodied. There are many ways to board that magic carpet, assuming the singers have the capacity for levitation. (Everyone in this cast does.) But it isn’t...