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The work continued today much as yesterday, with a significant difference. In the morning I received an email in which Sam Levine brought up a thorny question: “Do you think anyone will be bothered by the racial and gender politics in the show?” He was referring...
I slept badly last night and feared I would have a rough day of rehearsal. Catching sight of myself in the bathroom mirror this afternoon, I looked exhausted and pasty. But the music and the personnel had revived me. Like the guy in the looks-bad-feels-good joke, I...
Starting a new project is like starting a new love affair. You come in with excitement and high hopes, and you promise yourself that it’s going to go smoothly, fueled on daily progress and sustained industry. In reality, of course, every day brings its moments of...
Here’s a song I didn’t quite get until I saw it onstage: “The Brotherhood of Man” from How to Succeed in Business Without Really Trying. Frank Loesser’s score for that show is quite good but not really excerptable—sure, all the songs are à propos to the script but...
George Gershwin is my official “Favorite Composer.” After all, you have to have an answer ready when people ask that question, and Gershwin’s music is certainly very close to me—like my own skin, my own blood. Gershwin songs are usually very cheerful, but they always...
For me, “Follies” is the greatest of all modern musicals. But it’s almost impossible to get it just right in production. James Goldman’s book is difficult—brilliant but somewhat flawed—so it needs a subtle, clever director. The cast is large, and everyone, from...