The first day of a residency has a particular energetic charge. We all try to act low-key and normal, just swinging into an ordinary day’s work. But each of us is carefully monitoring everything that is going on. I am hoping that all of my hours of practice will hang...
written by
Steven Blier
Kurt Weill: Muschel von Margate
I met Cyndia Sieden outside her voice lesson at Marlena Malas’s studio in 1982. She was a breath of fresh air—guileless and smart, an unbeatable combo. We seemed to fall into one another’s confidence instantly. I was fascinated by her name, which happens to be the...
William Bolcom: His Manner is Gentle (from “Lucrezia”)
Sasha Cooke walked into my studio at Juilliard twelve years ago, bringing songs from Fauré’s La chanson d’Eve. My life instantly took a turn for the better. From the beginning Sasha had That Sound—I describe her voice as the love child of Janet Baker and Lorraine Hunt...
Lee Hoiby: What If
William Sharp has been my most enduring song partner. We met at Aspen in 1978, where he was a fellowship student and I was…whatever I was. An apprentice coach or something. The first thing I remember working on with Bill was the Act I duet from Don Pasquale, what’s...
Puccini: Chi il bel sogno di Doretta
It is amazing what you can find on the internet. Trawling YouTube for this week’s videos, I nonchalantly typed “Blier Fleming” into its search engine. There were a few clips I already knew about, but also something I had not seen before: a performance of the Rondine...
Eduardo Toldrà: Maig
This week I’d like to focus on some of the singers I’ve accompanied over the years. A collaborative pianist—the word “accompanist” is out of vogue these days, thank God (I don’t play the “accompano”)—can only realize his/her musical vision in tandem with like-minded...






