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I am delving this week into the playlist of Manning the Canon: Songs of Gay Life. Much of the program focuses on scenes from contemporary life, but I also wanted to give some airplay to gay composers from the past. Many of them had to keep their same-sex affairs on...
Having just finished the NYFOS season in New York with our Lorca program, tossed off a Gershwin concert for our gala a couple of weeks later, and presided over my twentieth-fifth anniversary concert at Wolf Trap with music ranging from German Lieder to Cuban rumba, I...
Everyone involved with classical song eventually falls under the spell of Federico García Lorca (1898-1936), simply because so many composers have set his poetry to music. His writing is a fascinating combination of opposites: elusive and open, austere and emotional,...
Federico Lorca struggled with his sexuality for much of his short life. No wonder. It was the inevitable fate of a passionate, uninhibited, demonstrative gay man living in a repressive, homophobic culture. While he had deep emotional attachments to a number of women,...
In 1956, two great Catalan composers, Federico Mompou and Xavier Montsalvatge, collaborated on a project for Barcelona’s Liceu Theater. They wanted to make a ballet adaptation of a Lorca play, The Love of Don Peremplín and Belisa in the Garden. Though not considered...
I faced a quandary when I was programming the April 24 Lorca concert. Though I try to avoid presenting songs I’ve done in recent concerts, I couldn’t find many suitable examples of cante jondo—the “deep song” of Andalusia that Lorca venerated. He disdained the word...