Song of the Day: April 21

Written by Maria Valdes


In category: Song of the Day

Published April 21, 2016

San Francisco Opera Singer Headshots | Anna Wu PhotographyThis week, soprano María Valdés curates Song of the Day. She will perform with NYFOS next Tuesday, April 26th, in Compositora: Songs by Latin American Women, alongside baritone Efraín Solís. She is a recent alumna of the Adler Fellowship at San Francisco Opera where she sang and covered several roles. Her performance with NYFOS will mark her New York recital debut.


Mozart – Et incarnatus est- Barbara Bonney

Mozart’s C Minor Mass was my first professional job. I was very excited (and nervous) to perform this piece at the Bellingham Festival of Music in Washington. Unfortunately, before the gig I came down with a killer case of pneumonia and wasn’t able to sing for a month. With only a couple weeks left until rehearsals began, I slowly attempted to get back into shape. During my first coaching—this is hilarious now but mortifying at the time—I was singing this and half way through collapsed onto the piano. My lungs just couldn’t expand enough to prepare for the long phrases. Luckily for me, I recovered soon after and had a successful performance in the end!

Now, this aria is difficult on its own, but it comes at the very end of a LONG sing. I remembered having a sense of impending doom when the orchestra began. I’m sure many of my singer friends can relate when I say that the maestro inevitably took the slowest possible tempo. I thought to myself, how can I ever do justice to this exquisite composition? How will I make it through? But when the strings swelled before my entrance it was smooth sailing from there. That’s because this piece has a way of making time stand still. It kind of feels like being wrapped in a soft blanket and being placed on top of a cloud. Mmmmm.

Barbara Bonney definitely takes us to that place in her interpretation. There is nothing showy about her delivery, even as she effortlessly glides through the technical challenges this piece presents. Her voice becomes an instrument and the instruments become voices, culminating with a call and response duet between the soprano and oboe.

I hope you all enjoy this idyllic setting of “Et incarnatus est.”

author: Maria Valdes

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