“This poet ruined my life,” Leonard Cohen said of the Spanish poet Federico Garcia Lorca. Cohen, a singer/songwriter and poet, himself, took great liberty with the original text of the haunting poem it is based on,”Pequeño vals vienés” (Little Viennese Waltz). The poem is from Lorca’s Poet in New York, a collection written after a difficult year in depression era New York (1929-30) studying at Columbia University. One can see how Cohen would be drawn to Lorca, with ideas like this, from “New York: Office and Denunciation”:
‘What shall I do now? Align all the landscapes?/ Muster the lovers who turn into photographs/ and later are splinters of wood, and mouthfuls of blood?’
After returning to Spain, Garcia Lorca sided with the anti-fascist Republicans when Civil War broke out there in 1936. He was by then famous, liberal, and gay, all of which made him a target. He was shot and killed in the custody of the nationalist militia. He was 38. A version of Lorca’s ideas live on in Cohen’s homage, “Take This Waltz”. Cohen, who died in 2016, lives, too, in this poem/song, this waltz with its heartbreaking entreaty to: “take its broken waste in your hand”.
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