Vocal Rising Stars at Caramoor, fifth season, days seven and eight:
out-of-town debut, in-town dress. Two halls, two pianos.
It’s the night before the New York show and I do not want to jinx things. Suffice it to say that we had a beautiful performance yesterday, and that the audience at Caramoor who came to enjoy budding young artists were confronted instead with four very assured, powerhouse musicians. The Westchester crowd is not demonstrative; they’re low-key, easy to talk to but not big laughers, easy to entertain if you’re not expecting an explosive response. But they did explode, in their gentle way, several times yesterday. And we had one slice of luck: a wonderful man sat in the front row, beamed at us, inhaled the music as if it were Chanel #5, laughed at my jokes, and appeared to be in Music Heaven for the entire afternoon. Afterwards I told him that he was invited to sit in Row A of every concert I give for the rest of my life, and that I would pay for his ticket, airfare, and hotel. I even got his business card—I’ll keep you posted.
It’s usually a shock to the system to move the show from the clear, dry acoustics of Caramoor’s Music Room to the reverberance of Merkin Hall. At Caramoor you can bound onto the stage in three beats; at Merkin you need four measures. But we ironed everything out, kept the singers near the three hanging mikes, and kicked a few umlauts back into place. Something cool happened to my left arm during Act II—it was as if a tendon way up near my shoulder untwisted and released my hand. Signing off—have to go back to the piano and see what that was all about….
We are at Merkin Hall—Tuesday night, the 12th—8 PM. And this is something you’ll really enjoy and remember.
New York Festival of Song • One Penn Plaza • #6108 • New York, NY 10119 • 646-230-8380 • firstname.lastname@example.org