Hyphenated-Americans

In late 2017, Michael and I were busy trying to finalize the 2018–2019 NYFOS season. We had settled on the W. C. Handy project, and we were thinking about celebrating a famous poet on a later evening. (That poet turned out to be García Lorca, featured in our April 24...

Kurt Weill’s Berlin

Choosing a program for NYFOS’s annual residency at Juilliard is usually one of the year’s sweetest dilemmas. No dilemma this time, though. I knew more than a year ago that I would want to revive Kurt Weill’s Berlin as the 2019 project. My singers have strong feelings...

W. C. Handy & the Birth of the Blues

In 1912, when Handy published the “Memphis Blues,” the word blues was used primarily to describe an emotional state—depression, melancholy. Songs specifically about these issues did not come into being until something like 400 years after the first mentions of the...

W. C. Handy & the Birth of the Blues

For many years, Michael Barrett and I discussed doing a program devoted to the blues, that quintessential American genre. But we were never sure how to tackle such a broad topic. Then our friend, the musicologist and early blues scholar Elliott Hurwitt proposed that...

30th Anniversary Celebration

Preparing and performing NYFOS concerts is an all-consuming endeavor. Michael Barrett, my co-leader, can attest to this. So can Charles McKay and Claire Molloy, who have masterminded the administration for some years now with tireless grace. We are in a daily (and...

From Lute Song to the Beatles

Today’s program combines a narrow focus on a single culture — the British Isles — with the wide-angle lens on four centuries of song, thereby ranging across practically the entire span of Western classical music. The purity of the Renaissance gradually gives way to...