by Steven Blier | Feb 14, 2023 | Program Notes
I remember being at Tower Records in 1980, where I came across a fancy boxed set of LPs called Régine Crespin: 30 ans sur scène. Thirty years of performances, from Fiordiligi to Fidelio—what a dazzling pinnacle! At age 28, I could barely grasp the idea of such a long...
by Steven Blier | Nov 15, 2022 | Program Notes
Mention the words “Berlin cabaret” and most people will imagine the sleazy M.C. and decadent all-girl band from the Kander and Ebb musical Cabaret. Film buffs will conjure up the image of Marlene Dietrich tormenting a mild-mannered elderly gentleman with her sexually...
by Steven Blier | Sep 27, 2022 | Program Notes
Tonight’s program, Heroes, had a unique birth. It began with my desire to work with with the four musicians sharing the stage with me tonight, a quartet of artists who are frequent collaborators and close friends. While baritone John Brancy and violinist Charles Yang...
by Steven Blier | Apr 12, 2022 | Program Notes
Like many pianists in my field, I’ve had the Anthology of Art Songs by Black American Composers on my shelf for decades. NYFOS has made good use of it over the years, often programming those concert pieces alongside popular songs by Eubie Blake and Fats Waller. It was...
by Steven Blier | Mar 15, 2022 | Program Notes
When I was a child, my favorite part of every lesson was the last five minutes when I got to play duets with my teacher. We’d rip through Schubert’s Marche Militaire or the four-hand piano reduction of Mozart’s Jupiter Symphony, and I was in heaven. Sure, I liked...
by Steven Blier | Feb 14, 2022 | Program Notes
My love for Argentinean music began with a single song: Carlos Guastavino’s “La rosa y el sauce,” which I heard at Dalton Baldwin’s art song seminar in Princeton 41 years ago. The music worked like a drug on my nervous system. I begged the performers for a copy,...
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