The last few days before a concert are always a little tricky to handle. I want to build confidence. I want to fix the little errors—notes, words, rhythms, dynamics—that seem to be repeat offenders. I also want to keep the cast reaching for the heights of expression...
written by
Steven Blier
NYFOS@North Fork: Day 4
I have always had a complex relationship with the piano. But I have an especially complex relationship with the piano I am playing this week at Poquatuck Hall. Oysterponds Community Activities, the hall’s parent organization, proudly bought the piano several years...
NYFOS@North Fork: Day 3
Wednesday is always the last play-day. People are still giggling over their memory slips, I calmly look the other way when I play a wrong note (which means I am looking the other way quite often), and a certain amount of experimentation remains the order of the...
NYFOS@NorthFork: Day 2
Today we welcomed our fourth singer, Alex Rosen, who arrived a day late after finishing up his residency at Ravinia. He traveled in from Chicago this morning, successfully boarded the notoriously unreliable jitney at the airport station, and waltzed into rehearsal at...
NYFOS@North Fork: Day 1
The first day of a residency has a particular energetic charge. We all try to act low-key and normal, just swinging into an ordinary day’s work. But each of us is carefully monitoring everything that is going on. I am hoping that all of my hours of practice will hang...
Kurt Weill: Muschel von Margate
I met Cyndia Sieden outside her voice lesson at Marlena Malas’s studio in 1982. She was a breath of fresh air—guileless and smart, an unbeatable combo. We seemed to fall into one another’s confidence instantly. I was fascinated by her name, which happens to be the...


