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Mary Birnbaum finished staging the show today. A minor miracle—I remember Sunday and Monday sessions (before Tuesday concerts!) permeated with under-the-gun anxiety as we routine some very complicated choreography. Kurt Weill’s Berlin is less dance-heavy, so that has...
Today I invited my friend Jack Viertel to come watch some of our rehearsal. Jack comes from the highest reaches of the theater world. He’s written a masterful book called The Secret Life of the Broadway Musical (a must-read for anyone who loves American musical...
There is a certain thrill—and a certain terror—to watching a beloved song receive a new, honest-to-god staging. I’ve seen these pieces acted as solos by a cadre of great artists in recital and cabaret settings, but this is the first time I’ve seen some of them turn...
Kurt Weill’s Berlin went into rehearsal today. This is the show I chose for the 2019 NYFOS@Juilliard concert, a program I’ve done a couple of times before—in 1998 and 2004, when it starred Peter Kazaras, Kim Barber, and Connie Hauman. I’ve known some of the songs for...
For many years, Michael Barrett and I discussed doing a program devoted to the blues, that quintessential American genre. But we were never sure how to tackle such a broad topic. Then our friend, the musicologist and early blues scholar Elliott Hurwitt proposed that...
A student and I were talking about the operas we’d heard in recent months, as we often do at the beginning of a session. It was a slightly depressing discussion, and one I’ve had several times recently in my studio during a period when there has been a lot of alarming...