Since its first season, the NYFOS motto has been “No song is safe from us!” Manhattan-based pianists Michael Barrett and Steven Blier presented the very first concert season of New York Festival of Song in 1988. It was a series of intimate, original ensemble song programs consisting almost exclusively of rarely-heard songs of all kinds, “from Debussy to doo-wop, lieder to latin jazz, Josquin to just-written.”
Each show was unified by a theme, constructed with a dramatic arc, and cast with superb vocal artists whose committed performances brought the songs to vivid life, with the directors as accompanists and animated narrators. This same dynamic model for seeking out unusual songs and sharing them audiences continues to shape NYFOS’s concerts today, in ways that continue to delight and surprise listeners. Newsday has called NYFOS “the most reliably excellent musical organization in New York.
Blier is the Artistic Director of the New York Festival of Song (NYFOS), which he co-founded in 1988 with Michael Barrett. Since the Festival’s inception, he has programmed, performed, translated and annotated more than 140 vocal recitals with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney. NYFOS has also made in-depth explorations of music from Spain, Latin America, Scandinavia and Russia. New York Magazine gave NYFOS its award for Best Classical Programming, while Opera News proclaimed Blier “the coolest dude in town.”
Mr. Blier enjoys an eminent career as an accompanist and vocal coach. His recital partners have included Renée Fleming, Cecilia Bartoli, Samuel Ramey, Lorraine Hunt Lieberson, Susan Graham, Jessye Norman, and José van Dam, in venues ranging from Carnegie Hall to La Scala. He is also on the faculty of The Juilliard School and has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company, Santa Fe Opera, and the San Francisco Opera Center. Many of his former students, including Stephanie Blythe, Joseph Kaiser, Sasha Cooke, Paul Appleby, Dina Kuznetsova, Corinne Winters, and Kate Lindsey, have gone on to be valued recital colleagues and sought-after stars on the opera and concert stage.
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NYFOS Associate Artistic Director Michael Barrett started NYFOS in 1988 with his friend and colleague Steven Blier. In 1992, he co-founded the Moab Music Festival with his wife, violist Leslie Tomkins. From 1994 to 1997, he was the Director of the Tisch Center for the Arts at the 92nd Street Y in New York, and from 2003 to 2012, he was Chief Executive and General Director of the Caramoor Center for Music and the Arts in Katonah, NY.
He has distinguished himself as a conductor with major orchestras here and abroad in the symphonic, operatic, and dance repertoire. A protégé of Leonard Bernstein, he began his long association with the renowned conductor and composer as a student in 1982. He served as Maestro Bernstein’s assistant conductor from 1985–1990. He currently serves as music advisor to the Leonard Bernstein Estate.
A champion of new music, Mr. Barrett has conducted and played premieres by Bernstein, Blitzstein, Bolcom, Danielpour, Kernis, Sellars, Harrison, Takemitsu, Del Tredici, John Corigliano, Lowell Liebermann, and John Musto. He has collaborated with the directors Jerome Robbins, John Houseman, Sir Peter Hall, David Alden, Christopher Alden, and Gregory Mosher.
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