NYFOS@NorthFork: Day 2

Written by Steven Blier

Artistic Director, NYFOS

August 17, 2016

Today we welcomed our fourth singer, Alex Rosen, who arrived a day late after finishing up his residency at Ravinia. He traveled in from Chicago this morning, successfully boarded the notoriously unreliable jitney at the airport station, and waltzed into rehearsal at 3 PM looking fresher than he had any right to look. Alex is a fascinating combination platter. He is kind and generous, emotionally open, but also unflappable and objective. Like a Baked Alaska, he combines sweet, hot, and cool in a way you cannot ignore. Young basses are almost always works-in-progress. It’s a voice type that tends to mature later than tenors and sopranos, and usually goes through a long, awkward adolescence all the way through the singer’s twenties. While the Full Monty of Alex’s voice may only reveal itself in the future, it is astounding how much he is able to do right now. Today he took a good-but-not-great song by Eubie Blake and found its volcanic center, slipping into an easy rapport with its Harlem Renaissance charm. Not many young singers would know what to do with that number—Alex nailed it and made it sound like a masterpiece.

unnamed-3I met Alex three years ago at Wolf Trap. I blush to admit that I was quite late for our 45-minute coaching—I remember I had some hotel accident that ate up the morning. He sang beautifully and I felt I was in the presence of a true artist. Abashed, I swore to him I’d make up the time, but in spite of my best efforts that never came to pass. Still, I always felt guilty about the twenty minutes I owed Alex. This week-long Orient residency seemed like a good payback—20 minutes plus three years of accrued interest.

The music is pouring out of everyone—heartbreak from Kelsey, brio from Christine, panache from Miles. I feel as if I am driving a very fast chariot à la Ben-Hur, hoping to emerge victorious like Charlton Heston.

Tomorrow we are working out our “’ography”—nothing as complex as real choreography, just movement and blocking and (I guess) a few dance steps for the songs that need them. This is a kinetic cast. Should be fun.

Steven Blier

Called “the coolest dude in town” by Opera News, master collaborative pianist and coach Steven Blier is the co-founder and artistic director of New York Festival of Song. Here on No Song is Safe From Us, Steven blogs about the NYFOS Emerging Artist residencies, writes the engaging and erudite program notes for our Mainstage concerts, and contributes frequently to Song of the Day.

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