Lerner and Loewe: You Did It

Written by Amy Asch

Music Theater Historian

August 14, 2018

If Alan Jay Lerner wrote nothing except My Fair Lady, he would have justly earned his place in Broadway’s pantheon. It was a magnificent artistic achievement and an enormous popular success— smashing all box office records. Among his other beloved Broadway and Hollywood musicals are Brigadoon, Gigi and Camelot, each giving decades of pleasure to audiences and performers.

A native New Yorker, Lerner grew up on Park Avenue, just a taxi ride from Broadway.  His father, an affluent retailer, loved musical theatre and took his young son to operettas, Gilbert & Sullivan, revues and jazz age romps. Soon enough, the boy aspired to write for the theatre. Lerner made his Broadway debut (with the lightweight and unsuccessful What’s Up) in 1943, the same year as Rodgers & Hammerstein’s game-changing Oklahoma!.

Lerner was an heir to the traditions of both Lorenz Hart and Oscar Hammerstein II.  He had a great gift for wordplay, but identified as a dramatist as much as a lyricist, responsible for every word and situation from curtain up to curtain down. He and his musical partners—he worked most often, and best, with Frederick Loewe; I’ll mention others later this week—wanted the plot, characterizations, words, music and dancing to cohere. Beyond that, Lerner understood human failings and loved his characters whatever their flaws.

I’ve chosen “You Did It” as today’s song because it is clever, well-crafted, understanding of both the men’s oblivious self-congratulations and Eliza’s exclusion, and really fun.

Amy Asch

Amy Asch is a long-time NYFOS subscriber who does research about Broadway songwriters, musicals and films for books, concerts and documentaries.  With Dominic McHugh she is co-editor of the recently published Complete Lyrics of Alan Jay Lerner (Oxford University Press).  She also compiled and annotated The Complete Lyrics of Oscar Hammerstein II (Knopf).  She has done projects for the 92nd St Y’s Lyrics & Lyricists series, the Rodgers & Hammerstein Organization, the Library of Congress, and the estates of Irving Berlin and Jonathan Larson (Rent).

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