John Musto: Litany

Written by Karen Holvik

New England Conservatory, Voice Dept. Chair

In category: Song of the Day

Published November 30, 2017

“Litany”, from John Musto’s masterful set of songs Shadow of the Blues is, in my humble but educated opinion, a perfect song.  I actually find it difficult to describe how I feel about this song—it has a profound effect on me every time I hear it. John, who has been inspired by many amazing poets during his long and productive career, in this case took Langston Hughes’ words and elevated them to another dimension. Not because they needed elevating, mind you, but because John is that gifted. As in Fauré’s “Clair de Lune”, the piano sets the mood beautifully before the singer joins in. The two together make time stand still.

I have heard many performances of this song, live and recorded, and I have sung it myself in recital, so I know whereof I speak. The recording I have chosen is the orchestrated version, which highlights the rich harmonic colors, and features the clear and nuanced vocal interpretation of Jubilant Sykes. The song exists brilliantly in multiple versions.  It is a song for the ages.

https://www.youtube.com/watch?v=CFbUQHNMT_s

Gather up
Gather up, in the arms of your pity
The sick, the depraved, the desperate, the deprived
All the scum of our weary city
Gather up in the arms of your pity
Gather up in the arms of your love
Those who expect no love
From above

author: Karen Holvik

select author’s name to read all of their posts

Soprano Karen Holvik began her musical life in folk music, wishing she could be Joan Baez. She later spent ten years singing rock and jazz professionally before deciding to try the classical repertoire. After earning a master’s degree in vocal performance at the Eastman School of Music (where she also sang jazz), she settled in NYC and finally got serious about singing opera, oratorio and classical song. She was very active with NYFOS during its early years, and she appears on a NYFOS cd, Marc Blitzstein: Zipperfly & Other Songs with Steven Blier and baritone William Sharp. She now lives in Boston, where she is chair of the voice department at the New England Conservatory.

1 Comment

Leave a Reply to Elisabeth Howard Cancel reply

Your email address will not be published. Required fields are marked *